[PDF.38lk] Continuo Realization in Handel's Vocal Music (Studies in Music (University of Rochester Press))
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Continuo Realization in Handel's Vocal Music (Studies in Music (University of Rochester Press))
Patrick J. Rogers
[PDF.qw30] Continuo Realization in Handel's Vocal Music (Studies in Music (University of Rochester Press))
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| #5394489 in Books | 2010-04-15 | Original language:English | PDF # 1 | 9.02 x.60 x5.98l,.85 | File type: PDF | 288 pages||0 of 0 people found the following review helpful.| Excellent Musicological Study but Hoped for More Practical Examples|By Richard Kram|A truly excellent musicological study of the use and practice of figured bass in Handel's music and other music of the period. Obviously much time was spent researching sources. However, if you are interested in buying this book as a practical guide for how Handel may have actually used thoroug||A major contribution to the study of Handel's music [which] illuminates an important area of performance practice...[written] with the force of one who knows the music, recent trends in performance, the sources and the treatises well. --The American Organist
This pioneering study examines aspects of figured bass notation and continuo realization in the High Baroque, especially with respect to the operas and oratorios of G. F. Handel. Contemporary treatises, Handel's manuscripts, original performance material, and other early sources provide clarification and guidance for the modern performer.
Part one is an overview of figured bass in Handel source materials: autograph manuscripts, performing scores, original keybo...
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